Works

Selected Works

Our story backwards
Digital film 3:40
2019

When Painting Isn’t Historically Possible (from the series Writing History)
Archival print
56 x 76 cm
2019

Installation view:
St John on Bethnal Green
Follow The Hands
Collage, pigment print and ink on board
2018

Installation view:
Asylum Peckham
In the Ruins of The Bankers Architecture
Sewn canvas and acrylic paint
2018

Public performance at The Art Car Boot Fair:
What does it feel like it?
Sewn canvas AK47
2018

Reaper.2. A proposal
Pencil on paper 76 x 56 cm
2018

Installation view:
Safehouse 1 Peckham
Tally Rand and Many Breasted Woman (to be titled)
Pencil on paper framed under acrylic with directional laser light
2018

Studio view:
Freestanding drawings. Ink on gesso on ply, dimensions variable
Assorted 2014 – 2016

Feminism, the near future and non linear time
Talk with Nina Power and Victoria Browne at the London Creative Network at SPACE 2nd Edition Showcase
1:04:24
2017

Installation view:
Phytology, Bethnal Green Nature Reserve
Heartbreaker (Truth Lies Within)
2017

Installation view:
London Creative Network at SPACE 2nd Edition Showcase
Heartbreaker (Truth Lies Within)
Oil on laser cut powder coated steel
125 x 85 x 10 cm
2017

The End is Where We Start From. Essay by Anna McNay, Assistant Editor, Art Quarterly

Truth Lies Within
28 page zine
Research, essay and pull out poster
2017
Written by Laura Moreton-Griffiths
Edited by Omar Karmi
Design by Penny Metal

Read: Truth Lies Within Zine: Art, tricksters and dystopian data

In conversation with Marvin Gaye Chetwynd

Review of Philip Guston: Laughter in the Dark at Hauser and Wirth

Women on the Frontline. Art Politics War 

Not Coming Home

Not Coming Home (from the series Island)
Digital montage / documentation of a performance
80 x 100 cm
2016

Portrait As My Father, Sunk In The Artic

Portrait As My Father, Sunk In The Artic
Collaborative photograph
92cm x 115cm on smooth matt Arches cotton rag paper
2016

After Guston The Group II

The Group II (from the series After Guston)
Ink on Saunders Waterford paper 300gsm
56cm x 76cm
2016

Gas Hood

Performance at The Averard Hotel
Gas Hood
C Type print
100cm x 80cm
2016

Columbine from the series Nympenburg Trials

Columbine (from the series Nymphenburg Trials)
Ink on Saunders Waterford paper 300gsm
76cm x 56cm
2016

Smile Club Chart

Happiness Chart (from the series Smile Club)
Digital drawing
59.4cm x 84.1cm
2016

Machine For Winning

Spectator Sport (from the series Machine For Winning)
Digital montage / documentation of a performance
84.1cm x 118.9cm
2016

Battleship Guns Tank

Big Guns (from the series Battleship Guns and Tank)
Archival print / documentation of a performance
12.7cm x 12.7cm
2016

Zippadeeshit (from the series Fall Out Suit)
Archival print / documentation of a performance
76cm x 56cm
2016

Wicked Stripes

Sitting on Donald Judd (from the series Wicked Stripes)
C Type print
100cm x 80cm
2016

Mary (from the series A Hyena in Petticoats)
Archival print on archival paper
15cm x 10cm
2015

Installation view:
Asylum Chapel, Peckham
Smoking Gun
Ink on gesso on ply
2015

Gainsborough Property Crime (from the series Painters’ Crime Scenes)
Oil on canvas
70cm x 120cm
2010