Laura Moreton-Griffiths (British, b. 1967) is an artist and writer, whose storytelling reimagines past, present and future, thinking about different ways of experiencing the world. Her work has been exhibited in London and nationally and is held in private collections in the UK and internationally. Recent solo performance includes Gas Hood in High Heels with a Gong, curated by Lucy Soni for Blink, Safehouse 1, Peckham, London (2025); The History Is, part of The Sky is Moving Sideways, curated by Rebekah Dean at Stephens House & Garden, Finchley, London (2024); Obvious Eyes, Beautiful Breath and Killing You Softly, Petitou Peckham, London (2022). Recent collaborative performances with Sasha Bowles include Piña & Coladada and Hot Gods: Both Gallery Highgate, Lambeth Fringe, Greatorex Street, Jamboree, Blink, Safe House 1 (2026); Wandsworth Fringe Festival, Riverside Studios (2025); The Colony Room (2024). She was selected to participate Year of Making, SPACE Clarence Mews (2022); DOOResidency, Amsterdam (2021); PeerSocial, Raven Row (2020) and Cubitt Gallery (2018–19) and London Creative Network programme at SPACE, London (2017). Future’s Venture Foundation supported her writing of speculative fiction (2021). Selected publications include the Journal of Contemporary Painting 11.1 (2025); Earth, Platform: Journal of Theatre and Performing Arts, Process: Vol. 17, No. 1: The Future (2024); Apple Blossom Sky, New Critique, A journal of critical and creative writing (2020). She co-programmes Her Art-Story, conversations between female artists, curators, producers, gallerists, critics and art writers. She received her MA in Contemporary Art Practice Critical Practice from Royal College of Art (2021) and her BA in Painting from Camberwell College of Art (2008). She lives and works in London.
