Time, Art & Politics, Accelerationism, Aliens, Tricksters, Dystopian Data, Propaganda, Military Technology, Cyborgs, Cautionary Tales for AI...
Truth Lies Within zine to read online or download here >>>>>>>

Edited by: Omar Karmi
Designed by: Penny Metal



Heartbreaker 2017
Painting in oil on laser cut powder coated steel
125 x 85 x 10 cm

Recent work >>>>>>>>>>>


© Gareth Johnson



Saatchi Art

Laura Moreton-Griffiths on Axisweb

Instagram

 

Resper.2
Character for room sized immersive painting 1 of 24
Pencil on paper 2018
65 x 56 cm





Dreaming Awake. Safe House 1, Peckham. Dulwich Festival 12 & 13 May
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Craft+Conflict Highlights Contemporary Craft Tour. Cumbria, Co. Durham & Northumberland. September to December
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Selected work >>>>>>>>>>>





Like the myth of Pandora, Laura Moreton-Griffiths’ work might be seen as a kind of theodicy, addressing the question of why there is evil in the world... [her practice embodies] a keen sense of what is right and wrong in this world and a desire to unpick and understand the seemingly incomprehensible... 
Read Anna McNay, Art writer and Assistant Editor, Art Quarterly (Art Fund) essay here >>>>>>>

Laura Moreton-Griffiths threads together moments from diverse narratives of violence, loneliness, bravery, and ostracism.
Read Matriarchs, Monsters and Feral Children with introduction by Tom Jeffreys here >>>>>>>

Moreton-Griffiths work captivated our audiences and illuminated the space.
Michael Smythe, curator Phytology, artist led project at the Bethnal Green Nature Reserve >>>>>>>


ArtVerve Magazine Issue 6

Marvin Gaye Chetwydn. A question that runs through your work is whether or not we have a quality of morale suitable to the digital, multisensory time in which we live - and can we update or create a new morality. Can you tell me more about this heady mix of optimism and anarchy?
In conversation >>>>>>>>

Selected writing >>>>>>>>

© Laura Moreton-Griffiths